Columns: Tag – Writing Tips
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Writing Quips and Tips
We are the “characters” we know best
We recently ran a Character-building course in which a participant was disturbed by the idea of sharing details from her life with the group.
“But why do we need to look at ourselves?” she asked. “Why can’t we just make characters up?”
In case anyone gets the wrong idea, we don’t ask for people’s deepest, darkest. But what makes our Character course unique is, we believe, that we run it with a psychologist. We look at ourselves first in order to understand and build believable characters.
Our tame shrink, Pierre, is useful in helping us look at how people tick. He’s an excellent writer in his own right, so he’s able to make the transition from people-shrink to character-shrink – in other words, from what people may need for a successful life to the narrative necessities of successful writing.
Writing Quips and Tips
If it sounds like writing, drop the grand theme
“If it sounds like writing, I rewrite it,” says Elmore Leonard in his 10 Rules of Writing.
This is the rule he says defines all the others. His book is published by Weidenfeld & Nicolson. I love that one. It cuts through all writing pretension.If I had to think up my favourite rule, it would probably be: Don’t start with a message. Any number of writing students come to Richard and me with a story idea – or they think it’s a story idea. It’s really a theme or a message.
You know the kind of thing: “I want to write a story about the inhumanity of men”, or “I want to expose the way women are treated in …”
And we say: “Okay … but what’s your story?”
“That’s our story,” they say.
Writing Quips and Tips
Writing is like driving
“Writing a novel is like driving a car at night. You can see only as far as your headlights, but you can make the whole trip that way.”
I live by EL Doctorow’s comment, probably because I know how easy it is to be daunted by the enormity of the task. When you begin, it can seem impossible that you’ll achieve what you’ve set out to do. That you’ll gradually weave in the information that will build and resonate in the reader’s head.
How will you hold the threads together through so many months of writing? How will you drip-feed information, resisting the temptation to spew it all out in an orgy of exposition – before you forget, or so that people will understand what’s in your head?
If you think about the process like driving, it makes it easier somehow. Okay, I do believe you have to know that you’re driving to Cape Town, or you might end up in Botswana. And that’s a different trip.
Writing Quips and Tips
Writing - one step at a time
I’ve discovered another quote that describes the process of writing in much the same way as the EL Doctorow quote I mentioned last week.
Anne Lamott uses an anecdote to illustrate the point:
“Thirty years ago my older brother, who was ten years old at the time, was trying to get a report on birds written that he’d had three months to write. It was due the next day. We were out at our family cabin in Bolinas, and he was at the kitchen table close to tears, surrounded by binder paper and pencils and unopened books on birds, immobilized by the hugeness of the task ahead. Then my father sat down beside him, put his arm around my brother’s shoulder, and said, ‘Bird by bird, buddy. Just take it bird by bird.’”
Writing Quips and Tips
Dealing with Difference
I was recently consulted by a writer who worried about working with a protagonist of a different race.
This relates slightly to last week’s blog, which discussed our propensity for applying rules to what writers “ought” or “ought not” to be writing about. If that had been his concern, my answer would have been much shorter. I don’t believe in rules. Explore what you feel moved to explore.
But his question had more to do with whether he could succeed; whether his character would be credible. Perhaps we tend to be overly self-conscious about protagonists of a different race, or class or even gender. We tend to focus anxiously on the differences and forget the similarities. (After all, men are human too) ...
We run face-to-face and correspondence writing courses - see www.allaboutwritingcourses.com for range and dates
Writing Quips and Tips
There’s nothing passive about reading
Reading is not a one-way process. It’s far more active than a writer imparting and a reader receiving.
The way to get the most from any reading experience is to accept that readers bring as much to the book as writers do.
As readers, we bring a complete psychological engagement to the task. That’s why movies of books we’ve read are never satisfying. Someone else has filled in the holes – and not as satisfyingly as we did.
Reading is construction work. The writer provides sketchy, incomplete blueprints so that each reader can build a different world.
Writer Alberto Manguel calls it the"intelligent and inspired reconstruction … using reason and imagination … to translate it on to a different canvas, extending the horizon of its apparent meaning beyond … the declared intentions of the author”.
Writing Quips and Tips
Reading as construction work
If writing is a blueprint which we, as readers, turn into cathedrals or palaces, then isn’t it also a route map?
Writing Quips and Tips
Fiction isn’t falsehood, and history isn’t truth
“Fact” is trendy.
Non-fiction sells more than fiction. And when you talk to people about reading, they will often declare sternly that they prefer to “read facts”. They want to “learn” or “improve”, or whatever.
In fact, there’s not as much difference between the two as you might think.
Writing Quips and Tips
Imagination doesn’t negate the truth
Writers are a lot like actors.
They need to be able to draw on their own experiences to understand others. And to express these in a compelling way that enables their audience (or readers) to believe in them.
Just to draw out last week’s theme a little more, this means that writers – novelists and non-fiction writers –are equally in the business of seeking out the truth.
Just because novelists use their imagination, doesn’t mean they’re not exploring their inner selves, and their time and place in history.
Gabriel Garcia Marquez says: “There’s not a single line in all my work that does not have a basis in reality.”
Writing Quips and Tips
Genre doesn’t dictate quality
I recently saw this brilliant response to a criticism of chick lit. Michelle Gormon is a chick lit writer herself, published by Penguin. Her article appeared in The Guardian.
“Critics cite many reasons in their dismissal of the genre, reasons that ostensibly aren’t rooted in literary snobbery. ‘The problem’ with chick-lit, I’m told, is that it doesn’t deal with the real issues that women face. Well actually, some of it does. From sibling rivalry to infidelity, addictions to poor body image, a woman can take her pick within the genre if she wants to. And the rest of it? It’s meant for pure indulgent enjoyment, and there’s nothing wrong with that.
“But why insist that chick-lit reflect the issues facing its readership when no other genre is measured by the same yardstick? It isn’t expected of science fiction, crime, mystery, historical fiction, or even most literary fiction. Women didn’t flock to buy We Need to Talk About Kevin thinking, ‘Gosh, my son is in prison too for picking off his classmates with a crossbow. That’s the book for me.’
Writing Quips and Tips
It’s hard and lonely - and Oprah’s unlikely to be involved
People have funny ideas about creative writing.
Either, they believe anyone capable of stringing two words together can put together a 90 000-word novel. (“She writes really good proposals / sales documents /memorandums”.) If they just put their mind to it.
“If only we had the time you do.” (Spoken with a rueful sigh.)
Or: “Old Jimbo’s retiring in September. He’s going to write his book.
That’ll keep him busy for October, but what he’ll do from November I’m just not sure.”
Writing Quips and Tips
Characters - in life and on the page
There’s a story about a novelist whose characters borrowed heavily from life. He wrote a moving account of a family dominated by an overbearing matriarch.
He was most concerned about his mother’s reaction. Would she forgive him? Would it split the family, and make him an outcast?
Shortly after it appeared, his mother summoned him. Sweaty palmed, he appeared to receive her judgment.
Writing Quips and Tips
Plunging and grinding doesn’t make a story
A judge for this year’s Booker prize, commenting on the state of the British and Commonwealth novel, said no one was writing much about sex anymore.
“It’s as if they were paranoid about being nominated for the Bad Sex Award,” he said. He was referring to the now famous, and little wanted award by the Literary Review. He added that “a lot of people” were writing about “taking drugs, as if that was a substitute for sex”.
The Bad Sex Awards were inaugurated in 1993 in order to draw attention to, “and hopefully discourage”, poorly written, redundant or crude sex in fiction. The intention, they say is “not to humiliate”.
That might not be their intention, but it must be absolutely mortifying even to be nominated. Yet I wonder if it is the Bad Sex Award that’s discouraging sex scenes.
Writing Quips and Tips
Writing about it is a lot like having it
If you’re self-conscious about sex in real life, you’ll be so on the page. You’ll hide coyly behind the frills of metaphor.
And if you’re over-confident, you’re likely to charge at the task and batter it with clinical description. Either way you’ll be cringy.
Since we were on the subject of sex in literature, (Last week’s blog on why no one writes about sex anymore), it occurred to me that sex in life is a lot like sex on the page. And learning to write about it can show us quite a lot about having it.
Writing Quips and Tips
Writing and rewriting - it’s now or never
I recently read that, before he begins a new novel, EL Doctorow writes 60-or-so pages of dialogue between his main characters – then throws them away and starts again.
I don’t know how he does it. It must break his heart. But I do understand why.
Having just finished a rough draft of a new novel, I have been giving him a lot of thought lately – and wishing I had his discipline (not to mention his talent).Reading my manuscript from beginning to end, I can see how the voice of the protagonist, and the novel as a whole, develops as I gain confidence. At the start, my protagonist is a tentative being, just drawing her first breaths in the world I gave her. By the end, she is more confident in her skin. She speaks and reacts in a way that is more true to who she is.